Layers upon Layers

ByJoseph Travis

Layering is something that has been occupying my thoughts recently. This is due to the “writing matters” course at MIRIAD. In fact my talk I did on the Common Themes in the Research (link) was the building of several layers of visual and spoken communication. The reality was it was perhaps a bit much for my audience and even I who was presenting found difficulty with making and trying to read my research findings so far. The whole thing was building on some of my ideas of making as performance. If I had thought it through clearly before presenting I…

The Joy of Slip

ByJoseph Travis

There is simplicity in slip, the mixing of clay and water to a smooth homogenous liquid. Slip decoration is so seductive and there is something about the playfulness of surface that it brings. There are some amazing potters that slip decorate on Instagram like Naofumi Maeno, and Kazuhiro Ashizawa I am always jealous of their surfaces. Doug Fitch has been a major influence on my work too and love talking clay with him. Though slip is something I fell in love with around the time I met Adam Field, I saw he was doing carving with a tool much broader…

9 ways to use a sketchbook

ByJoseph Travis

I really believe everyone should have and use a sketchbook, I don’t mean an expensive sketchbook like a Moleskine where you are afraid to crease a page. More like the Seawhite of Brighton starter sketchbook, the paper quality is nice but they aren’t too expensive and can be quicker to fill to give you a sense of accomplishment. This sort of cheaper sketchbook should be a good all rounder with pen, pencils or watercolours. There is no need to be afraid of making a mistake; a sketchbook is a working document. You don’t need to share it with anyone so…

The importance of a narrow focus

ByJoseph Travis

I didn’t know it at the time but James Hake gave the best advice to me when as an art student and I told him I wanted to be a Potter. His advice was simply that you should start off small, making only a small variety of objects, at most five or six. Those objects should be developed to the highest quality you can make before adding more objects to the range. I have to admit I didn’t listen having a whole shop to fill and I was too busy listening to the voices of potential customers, make this make…