So these were the original wonky pots that I made out of frustration of wanting to make the sort of work I wanted rather than being a production potter. The idea was to make them with plenty of chunky grog so fine details wouldn’t be possible. The slip was then dribbled down the pots and they were shock to encourage the slip to keep dripping
You may remember my post on Saggars and some of my results. I really want to talk a bit more how these wobbly pots are made.
It was when this wonky pot gained traction on instagram and ended up going to live in Portugal I decided it was time to make some more wonky pots.
Naked wobbly pots awaiting their decoration. They are made from a secret stoneware earthenware blend with some iron oxide added for effect. They were thrown loosely and then treated to a beating with a piece of 2 by 1 that was in the workshop.A stream of porcelain slip launched towards the wonky pots. I fill a cup of slip and fling it as hard and fast as I can.the impact of throwing the slip on the pottery sends it flying off in all directions. this is a different round of throwing slip to the video andthe splash is so violent there are still particles of slip in the air.Another batch of wonky pots all slipped and drying in the garden.Not all my wonky wobbly pots are saggar fired these days, this was fired next to the saggar and has gone to live with the amazing Lighthearts in Brum whom I owe a lot to.
I really love to make these, and I really want to make more, I don’t care about function with this form, I just want to create something different. In fact I want to make them more wobbly, wonky and uncontrolled.
I don’t make anything simply and I need more iron oxide and terracotta to make another batch of wonky pots.
I want to know as an audience if there is anything you want to see more off from my pottery videos or blog articles? Please just let me know in the comments below.
So it’s that time of the year I trek across the Country from Coastal Lancashire to Nottinghamshire to go to Earth and Fire. This year it was at a new venue it had moved from Rufford Abbey to the Harley Gallery at the Welbeck Estate. It was a really different venue from before.
For a while I have been thinking about tiles as an act of experimentation, they are something that can be created in the fraction of time for throwing, there is a lot less focus that goes into creating them, no hunching over the wheel. In some ways they are quite disposable. I don’t generally use tile for glaze tests as they don’t have gravity and thickness’s similar to pots but I do use them to test ideas, patterns, new and more recently my saggars to see what effects are possible. In these sorts of ways the tiles are part of…
I didn’t know it at the time but James Hake gave the best advice to me when as an art student and I told him I wanted to be a Potter. His advice was simply that you should start off small, making only a small variety of objects, at most five or six. Those objects should be developed to the highest quality you can make before adding more objects to the range. I have to admit I didn’t listen having a whole shop to fill and I was too busy listening to the voices of potential customers, make this make…
Patia Davies film on making buttons shows a real sense of rhythm to life and the processes she is going through. The video isn’t a video of a teacher standing in front of a class and doesn’t stop to explain. For someone with a background in making there is a lot she is teaching and a lot to learn. We see in this video there is efficiency to making buttons as they are a by-product of making platters.
Staggered stumbling starts words awkwardly twist not forming cohesively stopping any progress -Red Fox Poet Writing for the lending library I sat each piece on my desk, I measured it, entered the technical data. I had made each one, I knew them intimately by the time I came to the story I didn’t have to think too hard. So within a few hours I had written over ten thousand words, without much pausing to think.
I am fascinated by numbers at 16 years old I used to say I loved working with numbers, but that was before I did double maths for my A-Levels. I was good at working with numbers, more so than reciting facts verbatim, in fact before I got my ceramics degree my only qualifications were mathematics and sciences. Sometimes I think like about the cost of making something, as the cost of often selling something is higher, due to other factors and the fact I don’t sell means working out that final cost doesn’t bother me. The following is a thought…
