So these were the original wonky pots that I made out of frustration of wanting to make the sort of work I wanted rather than being a production potter. The idea was to make them with plenty of chunky grog so fine details wouldn’t be possible. The slip was then dribbled down the pots and they were shock to encourage the slip to keep dripping
You may remember my post on Saggars and some of my results. I really want to talk a bit more how these wobbly pots are made.
It was when this wonky pot gained traction on instagram and ended up going to live in Portugal I decided it was time to make some more wonky pots.
Naked wobbly pots awaiting their decoration. They are made from a secret stoneware earthenware blend with some iron oxide added for effect. They were thrown loosely and then treated to a beating with a piece of 2 by 1 that was in the workshop.A stream of porcelain slip launched towards the wonky pots. I fill a cup of slip and fling it as hard and fast as I can.the impact of throwing the slip on the pottery sends it flying off in all directions. this is a different round of throwing slip to the video andthe splash is so violent there are still particles of slip in the air.Another batch of wonky pots all slipped and drying in the garden.Not all my wonky wobbly pots are saggar fired these days, this was fired next to the saggar and has gone to live with the amazing Lighthearts in Brum whom I owe a lot to.
I really love to make these, and I really want to make more, I don’t care about function with this form, I just want to create something different. In fact I want to make them more wobbly, wonky and uncontrolled.
I don’t make anything simply and I need more iron oxide and terracotta to make another batch of wonky pots.
I want to know as an audience if there is anything you want to see more off from my pottery videos or blog articles? Please just let me know in the comments below.
Patia Davies film on making buttons shows a real sense of rhythm to life and the processes she is going through. The video isn’t a video of a teacher standing in front of a class and doesn’t stop to explain. For someone with a background in making there is a lot she is teaching and a lot to learn. We see in this video there is efficiency to making buttons as they are a by-product of making platters.
So last night I recorded the final episode for Season 1 of the Nurph Chat. As always I had an amazing time talking to the guests and learning so much, which makes connections with other things I have thought about and even written here on the blog. Things to consider for the second season: How are we going to advertise it better How are we going to grow our audience Is there a better time of the day to do this at How often am I going to do this Should the title come before or after the episode is…
So recently I picked up Tommy Kane’s An Excuse to Draw, as a treat for myself as I reached 400 days in a row sketching, and painting. I showed the start of the process on instagram but the randomness of my skill level changes daily and is still very frustrating. I probably wouldn’t have shared this book but there was something I discovered with the first few pages that really hit home with me.
Wave Marks in the Sand, or Soap Dishes? The answer is soap dishes, I’m making these to take to the Green Loop Eco Makers Market in Lytham St Annes at the end of April. They will be glazed in a wood ash glaze, which is waste from wood stoves, plus a powdered clay and the calcinated seashells from my saggar firings, once they have been used to stop pots sticking together in that firing they turn to powder which can then be used to help flux the glaze. As well as these I will also be making the tools that…
“boredom haunts me as I work, I fear it will destroy me. I want to be better than my fears” -a note in my sketchbook. Not all old ideas and thoughts are comfortable. Putting them out into the world makes me feel uncertain like I am giving away too much. As for the date if this particular quote it is between January and December 2014. Finding this quote reminds me that I haven’t been happy with my work for some time. I am at the uncomfortable stage of being a maker where I am very aware of how bad I…
I was recently commissioned to make pottery for the Harris Museum in Preston, the pottery will be available for sale through the Harris Museum. There are six pots each has a section of the views of Preston, so each covers about 60 degrees of the view, which is carved through white slip on terracotta. The windows also have white gold lustre to make them stand out further. It was an amazing job to work on, it unfortunately came up in the middle of my youngest being diagnosed as a Type 1 diabetic, but that’s a completely different story.
