I make these saggars on the wheel but I have also made them using formers in the past. Using formers means rolling out slaps rather than wrestling large amounts of clay into one place. I made one recently that was the size of my kiln interior by wrapping clay slabs around a bucket wrapped in paper.
I have never been to see Winchcombe Pottery, so when I was visiting the Lighthearts earlier in July they suggested we should go on a trip there. In case you don’t know much about their history click here, needless to say Michael Cardew reopened the country pottery in 1926 with the help of Elijah Comfort and Sydney Tustin. It was then taken over by Ray Finch in 1946 and was run by him and his family until the last year. It is now run by Matt Grimmitt who is the Great Great Grandson of Elijah Comfort. Entering the pottery they…
For a while I have been thinking about tiles as an act of experimentation, they are something that can be created in the fraction of time for throwing, there is a lot less focus that goes into creating them, no hunching over the wheel. In some ways they are quite disposable. I don’t generally use tile for glaze tests as they don’t have gravity and thickness’s similar to pots but I do use them to test ideas, patterns, new and more recently my saggars to see what effects are possible. In these sorts of ways the tiles are part of…
So this week I made some prototype saggar formers and saggars, I mixed my own clay with sawdust, grog from broken pots and some molochite for added strength. Now if I didn’t have a deadline I would let them dry over two weeks, but I had a deadline so I force dried overnight and fired the next day so you will see some cracks in the larger saggar. Also if you want to make a saggar former don’t leave such big gaps as the clay can get stuck in them making the harder to remove.
For the uninitiated, I should explain what a Saggar is, it is a big piece of pottery that smaller pottery is sealed in. Traditionally this was done in Stoke on Trent to protect the pottery from the coal fire that they fired their kilns with. Modern Potters use them to get a reduction environment inside an electric kiln, this stops the kiln from getting damaged and brings some different effects to the pots. I threw a a saggar a few years ago and it has been sat on the top shelf on my studio for a few years now, not…
