For a while I have been thinking about tiles as an act of experimentation, they are something that can be created in the fraction of time for throwing, there is a lot less focus that goes into creating them, no hunching over the wheel. In some ways they are quite disposable.
I don’t generally use tile for glaze tests as they don’t have gravity and thickness’s similar to pots but I do use them to test ideas, patterns, new and more recently my saggars to see what effects are possible. In these sorts of ways the tiles are part of the experimentation and systematic testing that I was used to when I was a chemistry student many moons ago.
These are my first attempts at framing and I want to do more, and I want to work a lot more in tiles. I also want to work more at creating my own clays. These so far really have my creative juices flowing.
In case you didn’t see it my new youtube mini-series started woodworking for potters
So what do you the reader like and have you ever framed your ceramic work?
Last time I wrote about the importance of a narrow focus, I considered writing this one about having a broad focus. I changed my mind when I remembered Michael Kline’s post “play the Pro” which was about how we are all hobbyists at times. Michael has been playing around with slip inlay, and spent quite some time with the work under wraps until he felt more confident with it. But this playfulness in the working process brings a level of joy. Having closed down Red Fox Pottery in 2012 I stepped away from clay to become an art teacher. Teacher…
Last night was the Nurph chat,thank you for everyone that came out live and watched. It was an amazing time talking to Adam Field, Paul Blais, Carole Epp and Michael Kline. There is a recording in the projects section of the website here. There will be another chat: Sunday 26th July at 9pm GMT, 5PM nurph.com/redfoxpottery The chat will be on “The Scale of Production” Guests are Amanda Barr, Corey Johnson, Joseph Travis. I hope you can come out and watch live and ask questions.
I have been busy recently working through my dissertation and creating videos for the practical part of the research. Learning to edit on Adobe Premiere Pro has been a bit of a slog this week but it has sped up the process no end now I am getting to grips with it. I just wish it weren’t a subscription based service but nevermind. 1) I had the idea of making a video from the pots point of view, I replaced some of the sound to change the qualities.
With my work I decided some time again that I wanted to make playful work especially as we has limited time, so why make something serious and stagnant. It’s about make pots that contain energy and liveliness, which can be difficult in a medium that becomes “set in stone”. I can’t just hand a customer a soft clay pot and touch the fresh clay and let them feel how alive it is, and how the slightest movement can change its form, but I want to leave that impression that it was touched with hands and not just mass made to…
I have never been to see Winchcombe Pottery, so when I was visiting the Lighthearts earlier in July they suggested we should go on a trip there. In case you don’t know much about their history click here, needless to say Michael Cardew reopened the country pottery in 1926 with the help of Elijah Comfort and Sydney Tustin. It was then taken over by Ray Finch in 1946 and was run by him and his family until the last year. It is now run by Matt Grimmitt who is the Great Great Grandson of Elijah Comfort. Entering the pottery they…
I didn’t know it at the time but James Hake gave the best advice to me when as an art student and I told him I wanted to be a Potter. His advice was simply that you should start off small, making only a small variety of objects, at most five or six. Those objects should be developed to the highest quality you can make before adding more objects to the range. I have to admit I didn’t listen having a whole shop to fill and I was too busy listening to the voices of potential customers, make this make…
2 Comments
tiles are useful as glaze tests etc,but as you’ve found can be framed and sold (Hannah and Doug do this too) or even used at home…as tiles!
I made a concious decision to make bigger tiles the older tiles are 6cm square and aren’t much use as they are thin and very wonky. I made a mould like Doug and Hannah but the test one I made I just don’t like it bounces every which way when I try and use it.
I have thought about using them as tiles but can’t produce the quantity and the quality isn’t where I want it yet.
tiles are useful as glaze tests etc,but as you’ve found can be framed and sold (Hannah and Doug do this too) or even used at home…as tiles!
I made a concious decision to make bigger tiles the older tiles are 6cm square and aren’t much use as they are thin and very wonky. I made a mould like Doug and Hannah but the test one I made I just don’t like it bounces every which way when I try and use it.
I have thought about using them as tiles but can’t produce the quantity and the quality isn’t where I want it yet.