Recent Tiles

For a while I have been thinking about tiles as an act of experimentation, they are something that can be created in the fraction of time for throwing, there is a lot less focus that goes into creating them, no hunching over the wheel.  In some ways they are quite disposable. I don’t generally use tile for glaze tests as they don’t have gravity and thickness’s similar to pots but I do use them to test ideas, patterns, new  and more recently my saggars to see what effects are possible.  In these sorts of ways the tiles are part of…

More Saggars

So this week I made some prototype saggar formers and saggars, I mixed my own clay with sawdust, grog from broken pots and some molochite for added strength.  Now if I didn’t have a deadline I would let them dry over two weeks, but I had a deadline so I force dried overnight and fired the next day so you will see some cracks in the larger saggar. Also if you want to make a saggar former don’t leave such big gaps as the clay can get stuck in them making the harder to remove.

What’s in the Saggar?

For the uninitiated, I should explain what a Saggar is, it is a big piece of pottery that smaller pottery is sealed in.  Traditionally this was done in Stoke on Trent to protect the pottery from the coal fire that they fired their kilns with. Modern Potters use them to get a reduction environment inside an electric kiln, this stops the kiln from getting damaged and brings some different effects to the pots. I threw a a saggar a few years ago and it has been sat on the top shelf on my studio for a few years now, not…

Writing really does matter to me

I loved my time on the “Writing Matters” workshops that were provided by MIRIAD for researchers. There are some really skilled writers with distinct voices in the group. It has made me want to write more but not in a stiff academic way, but in a more human flowing voice. Talking to other members of the group about my writing and my research revealed to me that what I was actually interested in my work is actually communication. I had never thought about it this way but all my research and thinking seems to point towards looking at different ways…

The Joy of Slip

There is simplicity in slip, the mixing of clay and water to a smooth homogenous liquid. Slip decoration is so seductive and there is something about the playfulness of surface that it brings. There are some amazing potters that slip decorate on Instagram like Naofumi Maeno, and Kazuhiro Ashizawa I am always jealous of their surfaces. Doug Fitch has been a major influence on my work too and love talking clay with him. Though slip is something I fell in love with around the time I met Adam Field, I saw he was doing carving with a tool much broader…