This year I am taking part in Artist Access to Art Colleges (AA2A) and I will be working out of the studios at Blackpool School of Art this year.
I’m approaching my time at the Blackpool School of Art to combine a series of different skills. I want to finally work at
AA2A cover a small part of the costs but I once I have my initial stages of testing I will be doing some crowdfunding to help pay for further development of the work, which will allow access to limited edition work. Think along the lines of hand-pulled prints, and printed pottery such as small plates, and possibly mugs if I can sit down at a wheel long enough.
As an artist I have had a portfolio career, working in formal education, being a potter making contemporary tableware, making sculptural experimental pottery to talk about place and the environment, and then at the opposite end of the scale making bright and colourful paintings since 2020.
So I thought the best way to start the project was with a range of clay samples. I have gone with a range of different colours. Black, Red, Grey and White.
I know for the finished work I want to create artwork on a white surface, but if I was referencing my sgraffito work of the past, I create layers in the clay itself, with a high iron stoneware body that I have produced myself with a high white slip which I then scratch away the design.
The problems with sgraffito are that it takes so much time, generally, I don’t use an underdrawing as that would add to the time, if the slip layer isn’t thick enough can become transparent, and finally coloured clays whether produced by myself or commercial clays because they can be so oxide rich they can bloat and grow bubbles.
In designing new work I have to keep this past knowledge in the back of my mind, but I am always open to testing new clays to see how they work out.
Lots of decisions still to make but I’m excited by the possibilities.