So these represent the best tiles I have fired in the last year, and include tests for brushwork and the saggar firing, there is so much variation and I have started to mount them in some new ways as I think these go beyond throw away objects.
For a while I have been thinking about tiles as an act of experimentation, they are something that can be created in the fraction of time for throwing, there is a lot less focus that goes into creating them, no hunching over the wheel. In some ways they are quite disposable.
I don’t generally use tile for glaze tests as they don’t have gravity and thickness’s similar to pots but I do use them to test ideas, patterns, new and more recently my saggars to see what effects are possible. In these sorts of ways the tiles are part of the experimentation and systematic testing that I was used to when I was a chemistry student many moons ago.
So this was my first test tile in a saggar, this actually gave me more confidence about saggar firing than any other piece in that kiln. it is mounted on a scrap piece of plywood that whitewashed and waxed. A lot of the wood I use for mounting and framing would otherwise just end up in landfill.I just love the marks shells leave on the honey glaze, and the horses tail leaves an amazing texture too. The round osb was cut because I wanted some more throwing batts but after I these ones I wasn’t sure they would last as batts so I decided to try this one for a mount and I quite like it due to it being so different.The marks just left by the shells and the reduction in my little kiln are amazing, I can’t help but stare at them. These were placed on top of each other so have the same shells but they appear reflected. The tile on the left has a porcelain slip which affects the colour too.These don’t fit this shadow box and I will make them a new frame in September. The frame was orriginally intended for the large tile above but was based on it shrinking from bisque to vitrified, but it was a few millimetres off so it doesn’t fit but it looks better with the two reflections. Moral of the story wait until you have finished work before building it a frame.I started working on my brush work last year but haven’t had much chance to get back to it in recent months, but cobaly markings and sgraffito are the only ways I can find that get around that feeling of my work not being reduction fired.I do like graduations in colour going from light to dark. The tile on the left is unglazed with porcelain slip and some flashing. The other two tiles have my honey glaze and varying amounts of local reduction.These are some older tests in a shadow frame that I made. The tiles are a homemade porcelain my standard clay with iron added and some commercial black clay. It is made from cutting down some pine that was in the bin pile, the problem is it was quite ugly. I was wrapping blue painters masking tape around it and I really liked the blue it seemed to tie everything together.A tile I made in 2012 to test sgraffito, high fired terracotta and a commercial white slip, with lustre for windows. In a shadow box frame.
These are my first attempts at framing and I want to do more, and I want to work a lot more in tiles. I also want to work more at creating my own clays. These so far really have my creative juices flowing.
In case you didn’t see it my new youtube mini-series started woodworking for potters
So what do you the reader like and have you ever framed your ceramic work?
I didn’t know it at the time but James Hake gave the best advice to me when as an art student and I told him I wanted to be a Potter. His advice was simply that you should start off small, making only a small variety of objects, at most five or six. Those objects should be developed to the highest quality you can make before adding more objects to the range. I have to admit I didn’t listen having a whole shop to fill and I was too busy listening to the voices of potential customers, make this make…
Wave Marks in the Sand, or Soap Dishes? The answer is soap dishes, I’m making these to take to the Green Loop Eco Makers Market in Lytham St Annes at the end of April. They will be glazed in a wood ash glaze, which is waste from wood stoves, plus a powdered clay and the calcinated seashells from my saggar firings, once they have been used to stop pots sticking together in that firing they turn to powder which can then be used to help flux the glaze. As well as these I will also be making the tools that…
Last night was the Nurph chat,thank you for everyone that came out live and watched. It was an amazing time talking to Adam Field, Paul Blais, Carole Epp and Michael Kline. There is a recording in the projects section of the website here. There will be another chat: Sunday 26th July at 9pm GMT, 5PM nurph.com/redfoxpottery The chat will be on “The Scale of Production” Guests are Amanda Barr, Corey Johnson, Joseph Travis. I hope you can come out and watch live and ask questions.
I have been busy recently working through my dissertation and creating videos for the practical part of the research. Learning to edit on Adobe Premiere Pro has been a bit of a slog this week but it has sped up the process no end now I am getting to grips with it. I just wish it weren’t a subscription based service but nevermind. 1) I had the idea of making a video from the pots point of view, I replaced some of the sound to change the qualities.
I was recently commissioned to make pottery for the Harris Museum in Preston, the pottery will be available for sale through the Harris Museum. There are six pots each has a section of the views of Preston, so each covers about 60 degrees of the view, which is carved through white slip on terracotta. The windows also have white gold lustre to make them stand out further. It was an amazing job to work on, it unfortunately came up in the middle of my youngest being diagnosed as a Type 1 diabetic, but that’s a completely different story.
For the last year I have been experimenting with firing inside a saggar inside my electric kiln. From the start I have to say anything fired in this method I wouldn’t sell as food safe and to make certain of that I don’t make functional ware with this method, just things that are purely sculptural, albeit quite small sculptures. So what’s a saggar and what does it do? A saggar is a sacrificial pot that was originally used in industry to keep ceramic glaze free from ash during the firings, especially with coal as this can make the wares quite…
2 Comments
tiles are useful as glaze tests etc,but as you’ve found can be framed and sold (Hannah and Doug do this too) or even used at home…as tiles!
I made a concious decision to make bigger tiles the older tiles are 6cm square and aren’t much use as they are thin and very wonky. I made a mould like Doug and Hannah but the test one I made I just don’t like it bounces every which way when I try and use it.
I have thought about using them as tiles but can’t produce the quantity and the quality isn’t where I want it yet.
tiles are useful as glaze tests etc,but as you’ve found can be framed and sold (Hannah and Doug do this too) or even used at home…as tiles!
I made a concious decision to make bigger tiles the older tiles are 6cm square and aren’t much use as they are thin and very wonky. I made a mould like Doug and Hannah but the test one I made I just don’t like it bounces every which way when I try and use it.
I have thought about using them as tiles but can’t produce the quantity and the quality isn’t where I want it yet.