So these represent the best tiles I have fired in the last year, and include tests for brushwork and the saggar firing, there is so much variation and I have started to mount them in some new ways as I think these go beyond throw away objects.
For a while I have been thinking about tiles as an act of experimentation, they are something that can be created in the fraction of time for throwing, there is a lot less focus that goes into creating them, no hunching over the wheel. In some ways they are quite disposable.
I don’t generally use tile for glaze tests as they don’t have gravity and thickness’s similar to pots but I do use them to test ideas, patterns, new and more recently my saggars to see what effects are possible. In these sorts of ways the tiles are part of the experimentation and systematic testing that I was used to when I was a chemistry student many moons ago.
So this was my first test tile in a saggar, this actually gave me more confidence about saggar firing than any other piece in that kiln. it is mounted on a scrap piece of plywood that whitewashed and waxed. A lot of the wood I use for mounting and framing would otherwise just end up in landfill.I just love the marks shells leave on the honey glaze, and the horses tail leaves an amazing texture too. The round osb was cut because I wanted some more throwing batts but after I these ones I wasn’t sure they would last as batts so I decided to try this one for a mount and I quite like it due to it being so different.The marks just left by the shells and the reduction in my little kiln are amazing, I can’t help but stare at them. These were placed on top of each other so have the same shells but they appear reflected. The tile on the left has a porcelain slip which affects the colour too.These don’t fit this shadow box and I will make them a new frame in September. The frame was orriginally intended for the large tile above but was based on it shrinking from bisque to vitrified, but it was a few millimetres off so it doesn’t fit but it looks better with the two reflections. Moral of the story wait until you have finished work before building it a frame.I started working on my brush work last year but haven’t had much chance to get back to it in recent months, but cobaly markings and sgraffito are the only ways I can find that get around that feeling of my work not being reduction fired.I do like graduations in colour going from light to dark. The tile on the left is unglazed with porcelain slip and some flashing. The other two tiles have my honey glaze and varying amounts of local reduction.These are some older tests in a shadow frame that I made. The tiles are a homemade porcelain my standard clay with iron added and some commercial black clay. It is made from cutting down some pine that was in the bin pile, the problem is it was quite ugly. I was wrapping blue painters masking tape around it and I really liked the blue it seemed to tie everything together.A tile I made in 2012 to test sgraffito, high fired terracotta and a commercial white slip, with lustre for windows. In a shadow box frame.
These are my first attempts at framing and I want to do more, and I want to work a lot more in tiles. I also want to work more at creating my own clays. These so far really have my creative juices flowing.
In case you didn’t see it my new youtube mini-series started woodworking for potters
So what do you the reader like and have you ever framed your ceramic work?
At the moment it is the children’s summer holidays which means I have to wear my Dad hat a lot more. We went away to a camping barn and the children had fun staying in “a little house” as my youngest put it. Oddly while I was away some interesting things happened. For one we had the first piece of writing for the lending Library this is mug 17 that was given away to a member of my writing group. I love the connections other people make that I never would have found by myself. The second thing that happened…
I make these saggars on the wheel but I have also made them using formers in the past. Using formers means rolling out slaps rather than wrestling large amounts of clay into one place. I made one recently that was the size of my kiln interior by wrapping clay slabs around a bucket wrapped in paper.
A video posted by Joseph Travis (@redfoxpottery) on Aug 16, 2015 at 4:51am PDT Recently I keep trying to write about the work of Ayumi Horie, James Gurney, Austin Kleon and so on. But every piece I write becomes torrid and dry, or it becomes a gushing piece “they are amazing”, “aren’t they creative” or “aren’t they really driving their work on”. I once wrote a piece about how annoyed I was about a particular ceramics writer always started a piece of writing about where he had come across the makers work; it became 100% about him rather than about…
Patia Davies film on making buttons shows a real sense of rhythm to life and the processes she is going through. The video isn’t a video of a teacher standing in front of a class and doesn’t stop to explain. For someone with a background in making there is a lot she is teaching and a lot to learn. We see in this video there is efficiency to making buttons as they are a by-product of making platters.
So I was given the opportunity to run some workshops for LEFTCOAST our local arts organisation and I decided it was as good a time as any to start the business back up again. I have been thinking about starting up again anyway but this was the major kick I needed to get going.
2 Comments
tiles are useful as glaze tests etc,but as you’ve found can be framed and sold (Hannah and Doug do this too) or even used at home…as tiles!
I made a concious decision to make bigger tiles the older tiles are 6cm square and aren’t much use as they are thin and very wonky. I made a mould like Doug and Hannah but the test one I made I just don’t like it bounces every which way when I try and use it.
I have thought about using them as tiles but can’t produce the quantity and the quality isn’t where I want it yet.
tiles are useful as glaze tests etc,but as you’ve found can be framed and sold (Hannah and Doug do this too) or even used at home…as tiles!
I made a concious decision to make bigger tiles the older tiles are 6cm square and aren’t much use as they are thin and very wonky. I made a mould like Doug and Hannah but the test one I made I just don’t like it bounces every which way when I try and use it.
I have thought about using them as tiles but can’t produce the quantity and the quality isn’t where I want it yet.