So these were the original wonky pots that I made out of frustration of wanting to make the sort of work I wanted rather than being a production potter. The idea was to make them with plenty of chunky grog so fine details wouldn’t be possible. The slip was then dribbled down the pots and they were shock to encourage the slip to keep dripping
You may remember my post on Saggars and some of my results. I really want to talk a bit more how these wobbly pots are made.
It was when this wonky pot gained traction on instagram and ended up going to live in Portugal I decided it was time to make some more wonky pots.
Naked wobbly pots awaiting their decoration. They are made from a secret stoneware earthenware blend with some iron oxide added for effect. They were thrown loosely and then treated to a beating with a piece of 2 by 1 that was in the workshop.A stream of porcelain slip launched towards the wonky pots. I fill a cup of slip and fling it as hard and fast as I can.the impact of throwing the slip on the pottery sends it flying off in all directions. this is a different round of throwing slip to the video andthe splash is so violent there are still particles of slip in the air.Another batch of wonky pots all slipped and drying in the garden.Not all my wonky wobbly pots are saggar fired these days, this was fired next to the saggar and has gone to live with the amazing Lighthearts in Brum whom I owe a lot to.
I really love to make these, and I really want to make more, I don’t care about function with this form, I just want to create something different. In fact I want to make them more wobbly, wonky and uncontrolled.
I don’t make anything simply and I need more iron oxide and terracotta to make another batch of wonky pots.
I want to know as an audience if there is anything you want to see more off from my pottery videos or blog articles? Please just let me know in the comments below.
I loved my time on the “Writing Matters” workshops that were provided by MIRIAD for researchers. There are some really skilled writers with distinct voices in the group. It has made me want to write more but not in a stiff academic way, but in a more human flowing voice. Talking to other members of the group about my writing and my research revealed to me that what I was actually interested in my work is actually communication. I had never thought about it this way but all my research and thinking seems to point towards looking at different ways…
I really believe everyone should have and use a sketchbook, I don’t mean an expensive sketchbook like a Moleskine where you are afraid to crease a page. More like the Seawhite of Brighton starter sketchbook, the paper quality is nice but they aren’t too expensive and can be quicker to fill to give you a sense of accomplishment. This sort of cheaper sketchbook should be a good all rounder with pen, pencils or watercolours. There is no need to be afraid of making a mistake; a sketchbook is a working document. You don’t need to share it with anyone so…
For the last year I have been experimenting with firing inside a saggar inside my electric kiln. From the start I have to say anything fired in this method I wouldn’t sell as food safe and to make certain of that I don’t make functional ware with this method, just things that are purely sculptural, albeit quite small sculptures. So what’s a saggar and what does it do? A saggar is a sacrificial pot that was originally used in industry to keep ceramic glaze free from ash during the firings, especially with coal as this can make the wares quite…
At the moment it is the children’s summer holidays which means I have to wear my Dad hat a lot more. We went away to a camping barn and the children had fun staying in “a little house” as my youngest put it. Oddly while I was away some interesting things happened. For one we had the first piece of writing for the lending Library this is mug 17 that was given away to a member of my writing group. I love the connections other people make that I never would have found by myself. The second thing that happened…
For the uninitiated, I should explain what a Saggar is, it is a big piece of pottery that smaller pottery is sealed in. Traditionally this was done in Stoke on Trent to protect the pottery from the coal fire that they fired their kilns with. Modern Potters use them to get a reduction environment inside an electric kiln, this stops the kiln from getting damaged and brings some different effects to the pots. I threw a a saggar a few years ago and it has been sat on the top shelf on my studio for a few years now, not…
On the 3rd and 4th of December I held my open studio, which people came and had a look around. We had to close early on the Saturday because a storm was brewing and my sails were ready to take off, so we made everything safe and got to sit in a warm house. Thank you to everyone that came, hopefully we can run more events in the New Year and get a warmer space sorted out here
