So these were the original wonky pots that I made out of frustration of wanting to make the sort of work I wanted rather than being a production potter. The idea was to make them with plenty of chunky grog so fine details wouldn’t be possible. The slip was then dribbled down the pots and they were shock to encourage the slip to keep dripping
You may remember my post on Saggars and some of my results. I really want to talk a bit more how these wobbly pots are made.
It was when this wonky pot gained traction on instagram and ended up going to live in Portugal I decided it was time to make some more wonky pots.
Naked wobbly pots awaiting their decoration. They are made from a secret stoneware earthenware blend with some iron oxide added for effect. They were thrown loosely and then treated to a beating with a piece of 2 by 1 that was in the workshop.A stream of porcelain slip launched towards the wonky pots. I fill a cup of slip and fling it as hard and fast as I can.the impact of throwing the slip on the pottery sends it flying off in all directions. this is a different round of throwing slip to the video andthe splash is so violent there are still particles of slip in the air.Another batch of wonky pots all slipped and drying in the garden.Not all my wonky wobbly pots are saggar fired these days, this was fired next to the saggar and has gone to live with the amazing Lighthearts in Brum whom I owe a lot to.
I really love to make these, and I really want to make more, I don’t care about function with this form, I just want to create something different. In fact I want to make them more wobbly, wonky and uncontrolled.
I don’t make anything simply and I need more iron oxide and terracotta to make another batch of wonky pots.
I want to know as an audience if there is anything you want to see more off from my pottery videos or blog articles? Please just let me know in the comments below.
Back in February I was interviewed by Paul Blais on The Potters Cast and it was just released as episode 214. Please have a listen and let me know what you think. Currently I am testing a new Social Media Platform that I quite like, join the mailing list to find out more in the next week or so.
I decided recently that the best thing to do was to start everything afresh. That means I am going to archive my old blog that I haven’t used in 3 years. I will also be adding posts from my research blog to have everything in one place. Since I last blogged as Red Fox Pottery, I qualified as a teacher for post compulsory education, took a year out as a full time dad and then started a Masters Degree at Manchester Metropolitan University. My wife Anthea is doing Nursing training, so I can’t see any new ceramic animals in…
I loved my time on the “Writing Matters” workshops that were provided by MIRIAD for researchers. There are some really skilled writers with distinct voices in the group. It has made me want to write more but not in a stiff academic way, but in a more human flowing voice. Talking to other members of the group about my writing and my research revealed to me that what I was actually interested in my work is actually communication. I had never thought about it this way but all my research and thinking seems to point towards looking at different ways…
I have wanted to be a story teller since not long after I discovered that I liked to write poetry a over decade ago. I love listening to poets perform their poetry, like Michael Rosen, Simon Armitage or Ian McMillan. It really brings the poems to life, listening to them uniquely reciting their work.
Or should that be thinking backwards. Recently I have been finding myself rediscovering older thinking and going back to earlier ideas. For a start I decided to go back to my original title for my research and for my thesis, I also found a business card on my desk that showed marks into the clay that I had recently tried and thought was a new idea for my work. The business card was from my final year at university and I stopped making the marks as a tutor told me it made the work “too busy”.
So I was going through some pots in storage a few weeks ago and pulled out this lidded jar. It really caught my eye and I can’t stop looking at it, it is one of the last things I made before my youngest child was born. I have a feeling something similar to this will be on the cards again. They give a good variety of surfaces to carve, decorate and play with and I would like to get them into a saggar too, perhaps with a bit less decoration and let the saggar do all the work.
