So these were the original wonky pots that I made out of frustration of wanting to make the sort of work I wanted rather than being a production potter. The idea was to make them with plenty of chunky grog so fine details wouldn’t be possible. The slip was then dribbled down the pots and they were shock to encourage the slip to keep dripping
You may remember my post on Saggars and some of my results. I really want to talk a bit more how these wobbly pots are made.
It was when this wonky pot gained traction on instagram and ended up going to live in Portugal I decided it was time to make some more wonky pots.
Naked wobbly pots awaiting their decoration. They are made from a secret stoneware earthenware blend with some iron oxide added for effect. They were thrown loosely and then treated to a beating with a piece of 2 by 1 that was in the workshop.A stream of porcelain slip launched towards the wonky pots. I fill a cup of slip and fling it as hard and fast as I can.the impact of throwing the slip on the pottery sends it flying off in all directions. this is a different round of throwing slip to the video andthe splash is so violent there are still particles of slip in the air.Another batch of wonky pots all slipped and drying in the garden.Not all my wonky wobbly pots are saggar fired these days, this was fired next to the saggar and has gone to live with the amazing Lighthearts in Brum whom I owe a lot to.
I really love to make these, and I really want to make more, I don’t care about function with this form, I just want to create something different. In fact I want to make them more wobbly, wonky and uncontrolled.
I don’t make anything simply and I need more iron oxide and terracotta to make another batch of wonky pots.
I want to know as an audience if there is anything you want to see more off from my pottery videos or blog articles? Please just let me know in the comments below.
So last night I recorded the final episode for Season 1 of the Nurph Chat. As always I had an amazing time talking to the guests and learning so much, which makes connections with other things I have thought about and even written here on the blog. Things to consider for the second season: How are we going to advertise it better How are we going to grow our audience Is there a better time of the day to do this at How often am I going to do this Should the title come before or after the episode is…
So this week I made some prototype saggar formers and saggars, I mixed my own clay with sawdust, grog from broken pots and some molochite for added strength. Now if I didn’t have a deadline I would let them dry over two weeks, but I had a deadline so I force dried overnight and fired the next day so you will see some cracks in the larger saggar. Also if you want to make a saggar former don’t leave such big gaps as the clay can get stuck in them making the harder to remove.
Or how something I created due to injury became of of my favourite ceramic creations. In 2018 I was preparing for Earth and Fire in Nottinghamshire and working as a Design Technology Technician (wood, metal and plastics) as a day job, I was using a bandsaw which was something I did most days as I was generally using the laser cutter and supervising classes at the same time. Our bandsaw wasn’t the best, it was in all likelihood bought by the school long before I was born and it was in constant need of TLC. Regardless, as I made a…
Every October, artists all over the world take on the Inktober drawing challenge by doing one ink drawing a day the entire month. – Jake Parker So I decided yesterday that I would do Inktober again this year. Inktober is a challenge created by Jake Parker to try and improve drawing skills with a focus on doing an ink drawing every day in October. Last year I did a still life every day based with an improvised tool, including some dip pens I made out of clay that had varying success. I really enjoyed making and finding different tools and…
One of the advantages of going back to a form of making I haven’t used much and I am not comfortable with gives me fresh insights into the making process, for me hand building is something I never really pushed on with like I did with throwing. Each part of the hand building process has its own rhythm; it doesn’t matter how fast or slow. What is more important keeping a steady rhythm, rhythm improves the flow of making, in fact trying to go fast and misplacing hands can cause the mind to pause and wonder what it is you…
“boredom haunts me as I work, I fear it will destroy me. I want to be better than my fears” -a note in my sketchbook. Not all old ideas and thoughts are comfortable. Putting them out into the world makes me feel uncertain like I am giving away too much. As for the date if this particular quote it is between January and December 2014. Finding this quote reminds me that I haven’t been happy with my work for some time. I am at the uncomfortable stage of being a maker where I am very aware of how bad I…
